Episode 88: Captivating Creatures

 

This episode, the Planet 8 crew talks about some of our favorite creature designs. Over the history of cinema, there have been many amazing fantasy, horror and science fiction creatures designed and put on film, and we will each cover one of our favorites. Each of these has significance as paving the way for future films, developing new techniques and pioneering new styles. 

We begin with the original Planet of the Apes, and the daunting task of developing realistic makeup for the talking chimps, gorillas and orangutans. If the makeup wasn't convincing, if it didn't allow the actors to act and emote, there was no way the film could be made. But talented artist John Chambers was able to develop amazing prosthetics that were flexible enough and convincing enough to meet the challenge. Chambers had a fascinating background that enabled him to make advancements in facial prosthetics. His work certainly was a huge influence on future monster makers.

Next we cross the ocean and look at a big star, King Ghidorah! Created by Akira Watanabe for the 1964 movie Ghidorah the Three Headed Monster, it was based on many other multi-headed dragons. The design was always three heads and two tails, but early production photos show different coloring. The suit was operated by an actor in the suit and puppeteers working the heads, wings and tails. This made for a kind of frenetic movement style, which was pretty cool when you saw it as a kid! Ghidorah was active til 1972, then brought back in a new suit in the 90s, but he lost his crazy frenetic motion. In the new Legendary series, there are three motion capture actors playing each head. The actors have to coordinate their movements, but this method allows each head to have its own personality.

Our last headliner is the one and only Eighth Wonder of the World, King Kong! Kong is a fascinating case, having been portrayed now by stop-motion, men in suits, and now CGI. We look at the original film, the Toho Kong, the 1976 Kong including both Rick Baker's Kong and the ludicrous robot Kong, moving into Peter Jackson's Kong, and the latest Legendary films Kong. And who could forget the King Kong at the Universal Studios tour? Yes, we discuss him too!

There are many other classic monster or creature designs, and so we have some honorable mentions we'll reveal towards the end of the episode. Can you guess what they might be?

For our Sensor Sweep, to get into the holiday spirit, Commander Larry shares a boffo new item, the Hallmark 2021 To The Batcave! Batman classic TV series ornament. Really, it's a bit ridiculous to call this an ornament. It's more of a display piece. On the top of the ornament, we see Bruce Wayne and Dick Grayson in Wayne Manor, on the bat poles. Press the button and the batphone lights and beeps, the door closes up top, and a door opens in the batcave below, showing Batman and Robin descending on the batpoles. This spectacular item runs about $60 but may be hard to find. Good luck!

We hope you enjoyed this episode. What are some of your favorite creature designs? Let us know!

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We dig monsters!

Episode 72: It's on like Donkey Kong! Godzilla vs. Kong!

 

It's here, the first really BIG movie of 2021: Godzilla vs. Kong! Whether you saw it at home on HBO Max or caught it in an actual theater, this definitely felt like the first real event film of the year. Your intrepid Planet 8 crew all saw the film as soon as it was out (some of us staying up into the wee hours of the night) and are here to share our thoughts and impressions on this latest entry in Legendary's monsterverse.

Be prepared for SPOILERS AHEAD!!!

The question everyone is asking is, whose side are you on? And our team was divided. Commander Larry and Chief Engineer Bob are long-time Godzilla devotees, while Recon Officer Karen is a fan of the big ape. But despite our differences, we were able to come together and talk about how we enjoyed this film. And we did enjoy the movie! It's a huge popcorn movie, full of a lot of crazy pseudoscience, a lot of callbacks to older films, and some really exciting monster battles. Although we might at times be nostalgic for the men-in-suits eras, there's no denying how fantastic the CGI looks in this film (and its predecessors).  And we get to the action pretty quickly.

This movie is sort of like a supreme pizza: it's just got everything sprinkled all over it. There's a trip to the Hollow Earth, swimming Godzilla, evil businessmen, a giant ape wielding an axe,  crazy conspiracy theorists, ape sign language, and ...Mechagodzilla! It's best if you just sort of turn off the critical thinking part of your brain and relax when you watch. But there's still a lot to wonder about. Who built the amphitheater in the Hollow Earth? Will we eventually see aliens in a Legendary film? What monster will we see next?

Maybe the best thing about Godzilla Vs. Kong was how excited we all felt about watching a movie again. In some ways, it felt like a bit of a return to normalcy. We hope the movie does well and that we get more entries in the series.

In other news,  on our YouTube channel, we reached 100+ subscribers -thank you very much! - so you can now access our videos by going to YouTube.com/Planet8podcast. If you haven't caught our latest video episode on American International Pictures with Lord Blood-Rah, please head on over and check it out. And let us know what you think!

This week, our Sensor Sweep starts with a memorial to Cleve Hall, "The Monster Man." As we recorded this episode, we had just heard of his passing. Cleve had made monster suits and make-ups for innumerable films and projects. Cleve was known for being very approachable at shows and was a true fan himself. The community is poorer for his loss.

In brighter news, Chief Engineer Bob's Bay Area Film Events will host Godzilla's Monster Bash at the Balboa Theater in San Francisco on May 14-16. There will be 10 Godzilla films, celebrating the 60th  anniversary of Mothra, and the 50th anniversary of Godzilla vs. the Smog Monster. If you're in the area - or even if you're not - order your tickets and come have a great time!

All right folks, that's it for now. Let us know what you thought of Godzilla vs. Kong by leaving a comment here, or contacting us at one of our other sites: 

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So long from Monster Island!

Episode 55: The Eighth Wonder of the World - Kong!

This is it! We're finally talking about the King - King Kong that is! The big ape has been one of Hollywood's (and the world's) biggest stars since he first showed up on the scene in 1933. At the time, the original King Kong was cutting edge, and it influenced many later generations. Kong is a part of pop culture, and new versions of the eighth wonder of the world keep getting made. There is something universally appealing about this unique and powerful figure.

We'll go through the long history of Kong in films (and a little bit on TV), starting of course with the classic original 1933 King Kong, directed and produced by Merian C. Cooper and Ernest Schoedsack, with ground-breaking stop-motion effects by pioneer Willis O'Brien. The exciting story, the ferocious  Kong, and the whole beauty and the beast angle, made the film a huge success. It was quickly followed up with a sequel, also in 1933, Son of Kong, which was amusing but no where near the success of the original.

In the 60s, through a somewhat circuitous route, Kong wound up across the Pacific and got a job with Toho Studios, making King Kong vs Godzilla in 1962, and King Kong Escapes in 1967. There's a connection to the 1966 Rankin-Bass King Kong Show cartoon too!

Near to our hearts, even though it's clearly a flawed film, is the 1976 version of King Kong. The film may be best remembered today for the amazing John Berkey poster showing Kong astride the World Trade Center towers. We'll talk about the controversy over the robot Kong and how the great make-up genius Rick Baker played Kong. Bob took the hit for the team and watched King Kong Lives, and gives a rundown of that sequel.

If you're excited to hear what we think about Peter Jackson's 2005 remake of King Kong, well, you may want to ratchet back your expectations. We have some strong opinions on the film, and that's all we'll say here!

Finally, we finish strong as we enthusiastically discuss Kong Skull Island (2017), which took a very different approach to Kong, and will lead to a rematch with Godzilla next year!

Larry's Kong and Bruce mugs, seen front and back

On this episode's Sensor Sweep, our mission commander, Larry, shares his love of tiki mugs, and shows off two: a Bruce the Shark from Jaws mug from Mondo, and a Kong mug from Tiki Farm. If you love tiki mugs and monsters, check 'em out!

In a burst of shameless self-promotion, we want to mention the various side-gigs we all have going on.

Your crew at Monsterpalooza a few years ago -Larry, Karen, and Bob

Bob recently participated in a panel discussion on Ultraman for the Kaiju Con-line, an online  convention celebrating kaiju (obviously). If you want to watch the panel, click here. If you're a Gamera fan, a blu-ray box set should be coming out at the end of July, and Bob and his pal Keith Aiken are doing commentary on the film Gamera the Brave! 

Karen decided to start blogging again, to babble on about science fiction and other stuff. You can read her posts once or maybe twice a week at Echoes from the Satellite.

Larry has just started doing a video blog! It's on YouTube and it's called Larryland USA. Larry will be talking about things he loves and his many genre-based memories. Check it out!

That's all for us right now. We hope all of you are staying well, and hanging in there. If you have thoughts on King Kong, other giant apes, or anything else, drop us a line, why don't ya? You can leave a comment at our site, or hit us up here: 

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Thanks for listening!

Episode 51: Well, Isn't that Special - Effects

our guest Webster Colcord with "friends" at Tippett Studios

All of the amazing fantasy and science fiction films that we love, with their spaceships and ray guns, monsters and aliens, couldn't exist without the talents and hard work of special effects artists. For this episode, the Planet 8 crew is joined by special effects artist and animator Webster Colcord! Webster is an industry veteran, getting his start at the Vinton Studios, doing claymation on the California Raisins. He has gone on to work on a wide range of projects, including James and the Giant Peach, Deadpool, Ted, Superman Returns, The Host, and many other genre films. Webster currently works with legendary effects artist Phil Tippett at Tippett Studios. 

via Gfycat

We'll talk with Webster about his career, and learn about what it was like to do claymation, hear about the early days of CG effects, the beginnings of Pixar, and more! We had a lot of fun just talking with Webster and getting a lot of behind the scenes stories about different films and how some amazing effects were done -and what went wrong with a few movies! (We're looking at you Scorpion King...)

If you've ever wondered about how some of the special effects you've seen in films were made, or what it's like working in the special effects field, this is the episode for you!

For this episode, Recon Officer Karen has the Sensor Sweep and looks at a new book from author Marc Cushman. It's a continuation of his excellent These are The Voyages series, the first three volumes of which covered the first three seasons of the original Star Trek. This volume, entitled These are the Voyages: Gene Roddenberry and Star Trek in the 1970s  Volume 1 (1970 -1975). Cushman covers the years between the end of the original series up through the animated series (but prior to the first film). It includes info on the sci-fi TV films Roddenberry made, like Questor Tapes and Genesis II as well. One big surprise -Roddenberry was working on the script for a Tarzan film which never materialized! If you're a Star Trek buff, you'll want this book.

That's all for this go-round. We hope you enjoyed our look at special effects with our friend Webster. As always, we want to hear your thoughts. Leave them below in the comments, or hit us up in our social media spots:

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Thanks for listening!